
Sunday, 30 August 2009
sonic marshmallows

Saturday, 29 August 2009
in between spaces


Earlier this summer I worked on the installation of the Elephant Bed at Fabrica, a large scale site specific piece by the Canadian artist John Grade, made from soluble biodegradable paper. The shapes are based on microscopic structures of Coccolithophores that ultimately form the chalk sea beds. They create an intriguing space in which to retreat: warm and light, muffling external sound.

Must be entirely synchronicity that Olivia Decaris MA student in Design Products at the RCA has created something almost identical for a similar purpose.

dysfunctional outfits
perforations

note: explore the potential for perforations to make deliberate patterns or messages out of shadows - this is the shadow of a device to make ready made instant kolams using flour - probably tin
seeing in the dark

We eventually managed to get up to the Chattri on the Downs to see the Anish Kapoor installation C Curve during the Brighton festival, a little late in the day. By the time we got there it was dark. Taking photographs with a flash created unexpected results: they had put one of those orange plastic netting fences that construction workers arrange around holes in the road to deter the sheep from licking the mirror..
there is life and then there are shoes

How fantastic is it that the fashion for higher and higher and higher heels has endured? These astounding elegant sculptural prostheses that slow you down, make you strut, and are all about glamour, sex, and objectification of legs? Its such a blatant defiance of feminist arguments about hobbling women: sculptural Barbie-fication of girls..difficult not to be impressed.
last november Devon council had to intervene: Late night revellers in a Devon resort offered flip-flops to help them get home
It occured to me that perhaps the girls in high heels needed the occasional perch. I have named my first prototype: Slip on



its staring you in the face

How to account for the actual nature of the urban environment? How to document? How to anaylse? To understand the ground beneath your feet, the walls beside you, the spaces that have become the background to everyday life and normally pass unnoticed during the A to B. Spending time deliberately looking rather than just dashing past can be relatively uninspiring. It was suggested I look at Georges Perec :
" We live in space, in these spaces, these towns, this countryside, these corridors, these parks.. there isn't one space, a beautiful space, a beautiful space round about, a beautiful space all around us, there's a whole lot of small bits of space ... spaces have multiplied, been broken up and have diversified. There are spaces today of every kind and every size and every use and every function. To live is to pass from one space to another, while doing your very best not to bump yourself". (Perec, Species of Spaces and Other Pieces,1974)
His chapter on The Street prescribes specific exercises -" exhaust the subject.. force yourself to see more flatly. Detect a rhythm: the passing of cars. The cars arrive in clumps.... decipher a bit of the town, deduce the obvious facts
i have embarked on a number of different exercises to document local spaces:
- time lapse
- redrawing maps from google earth to create maps of non consumption
- just sitting while the time lapses and doing the perec exercises
its an act of faith - hoping for clues to support my hypothesis
I need some other subjective experiences other than mine .........wish you werent here?
Wednesday, 26 August 2009
in between time
is there any time inbetween now that it is possible to consume 24 hours a day. if the shops are shut the internet is open. if the pubs are shut the clubs are open. If the cinemas are shut the movies can be downloaded. anything on demand. is there a time inbetween for non consumption?
add clock....pie chart for consumption diary
in between spaces
There are many anonymous places in contemporary life between work, home, and entertainment . Perhaps thats OK, or perhaps they are wasted spaces or there aren't enough of them Richard Sennett talks about the need to design ambiguity into urban environments. Places that aren't for anything in particular that are not controlled or manipulated but allow for, or provoke interaction between people that is not proscribed. pedestrianisation of city centres is creating more space for potentially flexible interactions if it is not entirely inhabited by the service industries...cafe culture...
light shadows
simple but effective


in Milan this year i was keeping a record of all those objects that had been successfully made from one piece: rope, sheet material, looped, knotted, stuffed. Then the other day Tom, whose mother is Danish was telling me about the appeal of these tin openers that have been used in his family for decades. I have never seen one before. Very appealing. According to Tom they also work.
where did that come from?
Monday, 24 August 2009
introducing the rural into the urban environment
Sunday, 23 August 2009
use a bench



These benches in Paris are multi-purpose : day beds, card tables, bag hangers...
sunday afternoon

Monday, 17 August 2009
Sunday, 16 August 2009
Wednesday, 12 August 2009
listening glasses
The exhibition for the positivesoundscapes research project included a piece on listening glasses by Dawn Scarfe designed to vibrate when they pick up particular frequencies - ampliphying the sound in the ear. Lovely objects - to help hearing? And Simon Elvins


Friday, 7 August 2009
sitting post

hearing devices
rejecting consumption

i am reminded of Michael Landy and his systematic destruction of all his possessions
as an ongoing performance Break Down deliberately located in the centre of consumption a recently vacated C&A store in Oxford St,London.
24 hour world
we're discussing the potential of i-technology, on-line profiles and similar that mean that we can access the world in our pocket. how much are we in the present moment or able to experience parallel existences concurrently? They are explaining the situationist notion of society of the spectacle and realising that we are now able to weave our own individual spectacles..... constantly and ultimately able to be in touch and update and be updated in real time.. do we need a mode of escape? A magnetic field shield? do we need to create terrains of non-consumption?
borrow

As he points out: " there is nowhere on the high street that is not moderated by money" ( i have just paid £2.40 for an orange juice) and sees:" sharing as a subversive act".He hands over the camera.
Saturday, 1 August 2009
information overload

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